Non-Blog | Channing Whitaker

What I've Been Reading: June 2020

 Permalink
To date, I had read all four novellas in Martha Wells' Murderbot Diaries series. I mostly enjoyed them. They definitely have a unique protagonist in the form of a rogue AI, but not just any bot, a security behemoth. As sci-fi classically has taught us, if we have anything to fear from AI turning sentient, it's the Terminator-like killbots that will be our undoing. Yet Wells asks us to empathize with this tortured soul who just wants to live its life and maybe watch some TV.  On the other hand, the character is very sarcastic and cynical. It's funny to see human behavior judged through the eyes of a being intimate with us. And while it's blessed with a more pragmatic mind, it's irritated continuously with our shortcomings.

Murderbot's cynicism often results in humor, but it can also become overwhelming to go through an entire story with this disparaging monologue. I've mentioned before that writing this character in novellas has been a plus, as a novel from Murderbot's POV would be a bit too much. 

Enter book five, the first novel-length installment in the Murderbot series, called Network Effect. I picked it up with mixed feelings. The world-building, secondary characters, and the protagonist have all been creative. The plots have been compelling. But, I was concerned about the length, given this particular character. To my relief, Wells handled this perfectly.

We still get to experience this story through the view of the sarcastic Murderbot, but in addition, we now have a character, his employer who has known Murderbot through the entire time period of the series, and who can cut through Murderbot's facade, to put the light of criticism back on it. We get a teenage character, who like most teenagers, manages to turn judgment back on Murderbot. And, we get other sentient AIs who, for all practical purposes, start to populate family rolls for Murderbot, and they don't take Murderbot's grief quietly. In short, they won't take his crap.

I think this story works well for a couple of reasons. First, we see more viewpoints in general. In turn, we get more breaks from Murderbot's attitude. Second, we get active tit for tat on Murderbot's judgmental voice. It makes this sort of character more palatable. Finally, we really see Murderbot forced to grow. The character has to reluctantly accept that its life is changing, and has to change itself to accommodate. In many ways, the character is becoming more human, more vulnerable, more relatable, and it's endearing.
 Comments

What I've Been Watching: June 2020

 Permalink
I recently binged an unconventional series from amazon prime video called Hunters, and it was an odd delight. On the one hand, with a talent like Al Pacino, the series has respectability. But on the other, the series does bizarre things like breaking the narrative, and even the fourth wall to throw in a two-minute mock, antisemitic gameshow clip.

The premise: a teen, working in a comic book store, gets pulled into a dark, secretive world of vigilante Nazi-hunting after the untimely death of his grandmother. While that is fantastic, Hunters pits the Nazi-hunting team, not only against German Nazi defectors, living in hiding in the US, but a sophisticated, clandestine organization of Nazis trying to reestablish their former power.

Sometimes the show is over-the-top. Many of the characters are exaggerated stereotypes, and it has an air of catharsis to it as the Nazis are slain, and viewers get an "oh wouldn't it be nice" sort of feeling of justice. But for all its quirks, it does weave a tangled web of suspense as the Hunters uncover more villains, the Nazi organization uncover the Hunters, and an FBI agent uncovers both. Whether it's the fantastic suspense or the fantasy aspect of the storytelling, it's hard to take your eyes away.
 Comments

What I've Been Listening to: June 2020

 Permalink
I enjoy some hip-hop music, but I'm far from having my thumb on the pulse of the genre. I wasn't aware of Mac Miller until the news of his untimely death hit the headlines in 2018.  Still, I didn't encounter much of his music, at least that I knew of, and didn't go seek it out. But there I was taking an extra lap around the neighborhood in my car, with the SXM coffeehouse radio station on, hoping my crazy, soon-to-be three-year-old might go ahead and doze off when "Good News" came on. If you're not familiar, that music station is mostly singer-songwriter, acoustic sort of chill music. Perfect for reading and sipping coffee by, and not where you'd expect to find chart-topping hip-hop musicians.

"Good News" is a single of Miller's 2020 album, Circles, which was released posthumously. Apparently, a work in progress that the musician's family oversaw to completion with some notable collaborators. The sound is mellow but and often soulful, and I suspect that is what attracted me. It has an air of exhaustion to it that given Miller's death seem prophetic. But, it's hard to say how much that is due to others' work after his passing. It certainly seems a more mature, life-warn piece. It's well worth a listen.
 Comments
Off Speed Cinema, Off Speed Press, Channing's IMDB, Privacy

As an Amazon Associate I earn from qualifying purchases.